Good concept art needs good concept critics.
We need a magazine for the analysis and promotion of concept art. It has to be printed (should concept critique stay digital?).
Everybody is asked to write articles about projects/works from the Dump and the Open Dump.
Contemporary art teaches us that the curator is actually the artist, the collector the historian, and the critics: the conceptors. When we see how a piece of art can be nicely dressed by a good critic, whatever the work, we understand that contemporary criticism is reversed conceptualisation. The impact on the artist is so big that we should respect the value of this not so new fundamental component of creation.